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North's version describes it this way: 'She disdained to set forward otherwise but to take her barge in the river of Cydnus, the poop whereof was gold, the sails of purple, and the oars of silver, which kept stroke in rowing after the sound of the music of flutes, hautboys, citterns, viols, and such other instruments as they played upon in the barge.

And now for the person of herself: she was laid under a pavilion of cloth of gold of tissue, apparelled and attired like the goddess Venus commonly drawn in picture, and hard by her, on either hand of her, pretty fair boys apparelled as painters do set forth god Cupid, with little fans in their hands with the which they fanned wind upon her.' And this is Shakespeare: 'The barge she sat in, like a burnished throne Burned on the water.

The poop was beaten gold; Purple the sails and so perfumed that The winds were lovesick with them.

The oars were silver, Which to the tunes of flutes kept stroke, and made The water which they beat to follow faster, As amorous of their strokes.

"Her sex appeal," swooned the Greek biographer Plutarch, "Together with the charm of her conversation, and the charisma evident in everything she said or did, made her, quite simply, irresistible." And who, looking at her track-record, could possibly doubt it? So far as we know, she only ever took two lovers - both of whom, at the time, ranked as the world's most powerful man. Only fitting, as Shakespeare's Charmian might have put it, "For a princess / Descended of so many royal kings." Cleopatra was doubly a monarch.Daniel's revisions are clearly influenced by Shakespeare's play, which Daniel would have seen on the stage or perhaps in manuscript form.It seems likey that 1606 was the year of composition.but obviously it must be before the play was entered into the Stationers' Register on .At this time, only members of the Stationers' Company were permitted to publish material for sale: any member wishing to print a book had to enter the title in advance in the Register.The mythological stories of these figures provide another range of source material, accessible through classical works, such as Ovid's Not, on the face of it, the most fortunate of assertions: for Cleopatra, far from being the beauty of legend, seems, judging by the portraits on her coins, to have had a nose that could hardly have been any longer.Yet Pascal's broader point, that Cleopatra's attractiveness served to shape the course of history, was nevertheless well made.The many parallels between Shakespeare's writing and that of his source demonstrate the closeness of his reading of North's translation.The most well-known of these is the description by Enobarbus in Act 2 Scene 2 of Cleopatra's first meeting with Antony.It was filled with memories that are best described as private, but it was clearly too important to be thrown away.She sent it to Juliet for safekeeping." "There are about 20 secretaries in the club at any given time, but that number is always changing because people from all over the world join us for only a month, or even a day, just to have the chance to read and respond to letters!

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  1. Who Was Shakespeare? By William Rubinstein. Virtually everything known of the facts of his life seem to belie the transcendent genius of his plays and poems.

  2. Love in Shakespeare is a recurrent theme. The treatment of love in Shakespeare’s plays and sonnets is remarkable for the time the Bard mixes courtly love.

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